We all could be players on the world stage, still the question remains why we reveal the psychological responses to the happenings depicted in the fiction, whether in print or visual demonstration, just as in real life? Just like dreams our imaginations become presented to us on the mental screen as though we had been watching movies or television. And as in dreams the actual world gets supplanted by the virtual world even though we’re fully awake. That world still has perfect resemblance to the actual one and what happening in it seems real due to something shifting in our cognition faculty. But the mechanism which activates our psychological responses stays unchanged and consequently we react to the fiction in the same manner as in real life.
Here we have some similarity with the virtual reality of the modern computer technology, which can be an artificial environment created by applications. It is presented to the audience in this way that the individual temporarily suspends own belief pattern and accepts it as a true environment. In a way it is not different from the occurrence of being transported to the imagined world of fiction, except that the computer doing the task is in mind and we have no clue regarding what is the software and who’s your developer.
That brings us into the reason for psychological reaction. In respect to fiction the most frequent emotions are likes and dislikes that may turn into their more powerful forms of hate and love. In real life we love or hate a person because of a few attachment through kinship, friendship, or even through indirect knowledge of the person. An individual cannot love or hate a person one does not know at all. Attachment can also be on other living beings, material things, and even to imaginary things. We love or hate a story or even a notion. For an ordinary person it’s impossible to live unattached to things in the world. If a person is able to get rid of attachment, one joins the rank of enlightened souls that are indeed rare. We carry our ability and desire for affection into the fanciful world of fiction. We see the characters we come to understand as the narrative progresses, shape our likes and dislikes, and respond in the same manner as in real life except we cannot socialize with them physically. But we do socialize with them in our minds and hearts from where the feelings come. What have just talked about is crucial for your knowledge about try these out, but there is much more to think about. They are by no means all there is to learn as you will easily discover. However, you will discover them to be of great utility in your research for information. Do take the time and make the effort to discover the big picture of this. But we have saved the best for last, and you will understand what we mean as soon as you have read through.
The simple fact is that at a certain sense life itself is fiction. Like a narrative it has a beginning, an end, and also lot of things in between. We do not know who writes this fiction nor will ever understand. So we’ve got an inborn affinity with fiction and cannot fully detach ourselves from it. And maybe that’s the reason why, while studying or viewing fiction we get dropped subconsciously in the wonderland of imagination, but for this short period we operate exactly in the exact same way as we would in the actual world of our understanding. In that sense fiction is simply invented reality.
Theme is why fiction things, since it’s the quality that gives the narrative a universal appeal. Some say motif is what the story is all about, but that is too ephemeral a definition, which might get confused with all the idea or the storyline.
Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract concept behind the narrative forming the story’s heart and soul which the exposition, dialogue, and action reflect every chance they get.
Theme is not the characters or the plot or the original idea that started the story. For instance, a writer could start with the idea of exploring family relationships between girls, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, sometimes without the writer’s knowing of it in the start; nonetheless, more seasoned writers typically work on their theme harder than any other part of the narrative once they grab on to what it is they’re writing about.
In non-fiction, the writer is advised to hone into his subject and begin referring to it right at the very first paragraph. In fiction, on the other hand, the theme generally flowers through the writing as the narrative progresses.